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“doing my Granny’s hair”

medium, Oil

base, Linen

range, 24” by 30”


three of three
 

august 2024

“my bluos from the dark sky”


medium, Oil

base, Construction Paper and Dried Flowers on Canvas

range, 30” by 40.5”

one of three

 

july 2024

“doing my Granny’s hair”

medium, Oil

base, Canvas

range, 23” by 30”


two of three
 

june 2024

“the lady with the hair that floats high told me,

she told me a few times,
in the high waters,
a soft whisper of cries”

medium, sgraffito and mishima ceramic
range, 14” tall

diameter / 6” widest point ; 5” spout
 

vessel one

july 2024

“gardening with Ms. Marie”

medium, Oil

base, Construction Paper, and Dried Flowers on Canvas

range, 28.5” by 44”

august 2024

“in the bathroom with you”

 

medium, Oil Pastel
base, Wood
range, 32” by 32”

november 2023

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“my bluos from the dark sky”


medium, Oil

base, Canvas

range, 28” by 40”

two of three

 

october 2024

COMA Gallery / Art

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"self portrait"


medium, Oil

base, Construction Paper on Canvas

range, 3' by 4'

october 2024

"self portrait"


medium, Oil

base, Construction Paper on Canvas

range, 3' by 4'

october 2024

"Yams in the microwave"

medium, Oil

base, Canvas

install, Clay, B/W Self Developed Pearl Coated Imagery, Dried Leaf Yarn, Gold Paper Clips

range, 18” by 24”

september 2024

“Yams in the microwave”

 

medium, Oil

base, Canvas

install, Clay, B/W Self Developed Pearl Coated Imagery, Dried Leaf Yarn, Gold Paper Clips

range, 18” by 24”

september 2024

"Yams in the microwave"

medium, Oil

base, Canvas

install, Clay, B/W Self Developed Pearl Coated Imagery, Dried Leaf Yarn, Gold Paper Clips

range, 18” by 24”

september 2024

Amanda Flowers is a painter known for her visually intense depictions with a precision to the interconnected details surrounding a motif.  After mastering oil pastels she shifted to oil paints with a deeper sense for creating a wider range of chroma for her audience to engage within her paintings. Her visuals range from depictions of dreams, passed down memories from her grandparents to her intimate life. She sets to shape an alternate reality working together with tones of black mythology and black utopia, providing emotional nuisances by incorporating undertones of oranges and blues. Flowers's artistry is inspired by painters that went deep into their minds, picked out a scene and laid such colors down. Her influence starts with the 1940’s Harlem Renaissance, admiring artists such as Romare Bearden and Emma Amos. Extending her range to Corky McCoy and Varnette P. Honeywood, a theme shaped around black excellence.

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