medium, Oil
base, Construction Paper and Dried Flowers on Canvas
range, 30” by 40.5”
one of three
july 2024
“the lady with the hair that floats high told me,
she told me a few times,
in the high waters,
a soft whisper of cries”
medium, sgraffito and mishima ceramic
range, 14” tall
diameter / 6” widest point ; 5” spout
vessel one
july 2024
“gardening with Ms. Marie”
medium, Oil
base, Construction Paper, and Dried Flowers on Canvas
range, 28.5” by 44”
august 2024
COMA Gallery / Art
"self portrait"
medium, Oil
base, Construction Paper on Canvas
range, 3' by 4'
october 2024
"self portrait"
medium, Oil
base, Construction Paper on Canvas
range, 3' by 4'
october 2024
medium, Oil
base, Canvas
install, Clay, B/W Self Developed Pearl Coated Imagery, Dried Leaf Yarn, Gold Paper Clips
range, 18” by 24”
september 2024
medium, Oil
base, Canvas
install, Clay, B/W Self Developed Pearl Coated Imagery, Dried Leaf Yarn, Gold Paper Clips
range, 18” by 24”
september 2024
medium, Oil
base, Canvas
install, Clay, B/W Self Developed Pearl Coated Imagery, Dried Leaf Yarn, Gold Paper Clips
range, 18” by 24”
september 2024
Amanda Flowers is a painter known for her visually intense depictions with a precision to the interconnected details surrounding a motif. After mastering oil pastels she shifted to oil paints with a deeper sense for creating a wider range of chroma for her audience to engage within her paintings. Her visuals range from depictions of dreams, passed down memories from her grandparents to her intimate life. She sets to shape an alternate reality working together with tones of black mythology and black utopia, providing emotional nuisances by incorporating undertones of oranges and blues. Flowers's artistry is inspired by painters that went deep into their minds, picked out a scene and laid such colors down. Her influence starts with the 1940’s Harlem Renaissance, admiring artists such as Romare Bearden and Emma Amos. Extending her range to Corky McCoy and Varnette P. Honeywood, a theme shaped around black excellence.